| (*Note: Like ever so many things on this site,
I wrote this back in September when starting my PhD program,
but do you THINK the Slacker Hacker posted it? Why, no!)
My industrial-strength backpack is ready. I have four-dozen
sharpened pencils. Plus, I’ve been practicing lots of
deep-breathing exercises.
I finally got into a PhD program, y’all. And I’m
gonna make sure I’m ready! And I might as well share
my vast stores of knowledge with you guyses in case anyone
else feels the same masochistic urges that I do to bury myself
in academia, toiling over articles that will be read by three
people and will earn me, if I’m lucky, a free copy of
the journal in which it was published. Because we scholarly
types know how to party. For proof, dig: Dwanollah
Suggests The Items Every Graduate Student in English Will
Need to Succeed in School and Not Collapse, Sobbing, Under
a Pile of Concordances and Critical Editions!
Johns
Hopkins Guide to Literary Theory and Criticism. Yeah,
it weighs more than the average kindergartener, and costs
a mint, but it’s the handiest guide I’ve ever
found. Especially since I’m a Semiotics Retard, it helps
to have a two-page synopsis of various scholars, movements
and schools of criticism to get the gist of things.
MLA Handbook (most recent edition). Because
just when you think you know how to cite a journal article
for your annotated bibliography, you’ll discover that
they just changed it, and no, it has to be a COMMA after the
book title, not a PERIOD- Or, damn, is it the other way around?
A laptop. The lighter the better, because
you’re gonna lug it to the library and to your study
groups and to your friends’ houses and to Thanksgiving
dinner at Mommy’s house. You may want to haul it to
class and use it for notes (although most of your colleagues
might be annoyed as fuck by your clack-clack typing and various
computer beeping). Most importantly, you’ll need it
to do any work in the Special Collections department of a
university library.
A shitload of change for the copier. Unless
your library has those copiers-by-card. And if they do, buy
one and put fifty bucks on it right away. You’ll be
glad you did come Week 7 of the semester.
Antidepressants/anti-anxiety meds and sleeping pills.
Trust me. Ambien rocks. At least twice a semester, be prepared
for stomach-churning bouts of insomnia. And dude, grad school
without Zoloft…? I’ll hafta up my dosage just
THINKING about it!
A subscription to the CFP listserv. If
you aren’t currently familiar with the Calls
for Papers, you will be soon. Even if you have no time
to write anything right now (or so you think), subscribe anyway,
and see what’s going on in academia. This is a great
way to see who’s working on what, on what campus or
at what conference, with what emphasis.
Access to ProjectMuse/MLA online. You should
be able to get to it from your university library’s
website; just ask. You can get ten billion articles, or at
the very least, a synopsis, online.
A therapist or counselor. Or even a phone
number for a support group hotline. Seriously. The manic ebb
and flow of one’s sense of identity and/or self-esteem
whilst working in the academic world is tumultuous, to say
the least. Most schools will have some sort of counseling
service, and if you’re feeling even a little bit overwhelmed
or freaked out, take advantage of it! That’s what they’re
there for! They’ve had practice with stressed-out grad
students! It’s okay!
A healthy outlook of your professors. I’m
lucky that, this time around, I’ve actually been both
professor and student, so I have a handle on both perspectives.
Before teaching myself, I was very intimidated by most of
my instructors, and had trouble approaching them with serious
concerns or questions, much less anything that I thought might
be too trivial for such an exalted creature. Trivial, like
“Man, am I having trouble getting this paper together!”
But it turns out, professors would FAR rather hear that than
“Um, yeah, I guess my paper’s gonna be late because,
um, I’ve been having trouble, and….”
Critical Theory Since Plato. Yeah,
another one of those gonzo, huge, heavy critical texts. This
one is a chronological anthology of most of the heavy-hitting
critics/essays in Western literary criticism, from Plato through
the post-structuralists. All the original sources. You’ll
need that aforementioned Johns Hopkins guide to help you understand
‘em, however.
A non-junk food-based diet. I know it flies
in the face of most typical grad school experiences. I mean,
aren’t you SUPPOSED to mainline caffeine and live offa
Top Raman and Taco Bell and pizza…? Most of us can’t
afford those $8.00 packages of chicken breasts and $4-a-pop
Weight Watchers frozen things when we’re in school,
but that doesn’t mean you gotta live off the One Dollar
Menu at McDonald’s! If you try, trust me, in a matter
of weeks, you’ll be feeling like such crap you won’t
have the energy to haul that Johns Hopkins Guide around. Instead,
look for local Farmers’ Markets where you can get low-priced
produce. Hell, if you have a little patio at your Student
Digs, invest $10 in some seeds and/or plants: one tomato vine
will keep you in bruchetta and spaghetti sauces for months
(and it freezes well, too). Chip in with a couple fellow students
and have a weekly Soup or Stew and Salad night, with everyone
bringing an ingredient or two to ease costs. Make pizza at
home instead of ordering that overpriced crap from the local
delivery service; you can actually buy pizza dough mix or
frozen dough if you aren’t game for making your own
(or you can steal the bread machine that your mom’s
had buried in the cupboard since she got it for Christmas
in ’95 and set it to mix the stuff up for you). And
don’t use that preservative and sugar-crammed shit they
call sauce in the grocery stores; get a cheap can of Italian
chopped tomatoes (or use the ones you grew), add seasonings,
and make your own sauce. Don’t eat at the local greasy
spoons too much. Ditch the sodas and coffee for herbal tea.
Trust me. This comes from the student who once lived off Pop-Tarts
and Pepsi for two straight weeks during final papers.
The Madwoman in the Attic. This
is really the cornerstone text to contemporary feminist literary
theory, and, especially as things are moving solidly into
post-feminism, it’s important to understand the history
of this school of criticism. Rarely have I come across any
feminist-related article on just about anything that doesn’t
reference this text.
Introducing….
Descartes. Kant. Hegel. Heidegger. C’mon,
they scare the fuck out of you too, admit it. And while comic-book
study guides are kinda toolie, they’re also a good jump-start,
and not nearly as overwhelming as cracking Phenomenology of
Spirit and reading it straight through. Heck, just having
a starting point helps.
Flags. You know, those little sticky bookmark
thingies.
These’re the greatest things in the world. Buy hundreds,
in different sizes and colors. I love these for the books
that I’m referencing for a paper; I’ll use different
colors to mark different things, so I can find ‘em easier
depending on what chapter/section I’m writing. Pink
is for gender issues. Blue is for a reference to a book, poem,
song, or other literary work. Yellow is for specific motifs
that repeat from text to text. Flags even come in ones that
can be written on, for added benefit. You’ll figure
out your own system, and, at two in the morning, when you’re
trying to find that one part about where Mordecai is talking
about the establishment of a Jewish state for your paper on
“Imperial Exiles in Daniel Deronda,”
you’ll be glad that you marked all of the Jewish-related
issues with a special color-coded marker.
Access to your largest local library. Especially
if you live in a larger city, you might be intimidated by
the big, giant library downtown. Don’t be. Try to get
over there once before you have an annotated bibliography
due for tomorrow’s class, and just explore a little.
You’ll be glad you did when you’re freaking because
the university library is out of all of the six copies of
Showalter’s A Literature of Their Own, or doesn’t
have that one issue of Differences with the article
you need. I got spoiled, living across the street from Central
Library downtown for the year we had the Downtown Pad. It’s
a gorgeous building, and, while during the week there were
often masses of schoolchildren on field trips, skeevy people
looking up porn, and other unsavories, there are still tons
of quiet nooks… not to mention all the resources. And
if you become a regular (especially if the librarians know
you’re working on a book), they’ll often bend
over backwards to help, just out of genuine interest.
A favorite study spot away from home. It
really helps to pick up your books and papers and GO someplace
to work. Especially if you procrastinate, she said, blinking
innocently. So find a place where you’re happy and comfortable
and not distracted. Turn your cell phone off. Hunker down.
I like coffeehouses, but I haven’t found one here in
LA that I like as much as The
Living Room, where I used to go when I lived
in San Diego. The Bourgeois Pig is okay, but usually too crowded. Of course, there are usually six dozen Starbuckses
in a five-mile radius, and I like their hot chocolate well
enough, so sometimes I’ll truck over there. I also love
Central Library, and Fred
62 when it’s not busy (nice big tables to spread
five or six books out, and totally yummy silver dollar pancakes!).
Figure out what you like, and go. GO!
A schedule. A no-shit bit of advice, but
really. Establishing a routine helps keep you organized and
on track, and believe me, in those moments – nay, hours
– when you’re overwhelmed, you’ll be glad.
Because my classes are in the afternoons, I’ve found
that I work better in the mornings, so I’ve gotten a
schedule of getting up super early (which is weird for me,
because I used to be a night person!) and cracking the books
while I’m bright-eyed-and-bushy-tailed. Of course, by
Friday, I’m wiped out and am usually sacked by 9, but
at least I don’t have classes on Saturday….
Writing Your Dissertation in Fifteen Minutes
a Day: A Guide to Starting, Revising, and Finishing Your Doctoral
Thesis. Eventually, you’re gonna have
to. Be ready.
The Stock English Graduate Seminar Discussion Phrase.
Be aware, I am about to impart deep, secret advice with this
last bit of minutia. This is your crutch for just about any
given discussion, and can be used, with variations, almost
countless times. You’ll hear it at least a half-dozen
times during any one class, and if you don’t believe
me, try keeping track one day and see for yourself. You can
hide that you haven’t done the reading, you can hide
that you feel completely inferior to the person next to you
who can spout theory like *that*, you can start any number
of tangents with this one simple utterance:
“I find it interesting that ______.”
Do not underestimate the power of this phrase. Say you don’t
know what to do with Finnegans Wake? Simply say “I
found it particularly interesting that Joyce made so many
references to commercial products and slogans in the text.”
Someone’ll jump on it, and there you go. Even if it
doesn’t spawn discussion, someone else might say, “And
I thought it was particularly interesting that ____”
and it continues from there. “Does anyone else find
it interesting that there are all these really vivid details
of whale jizz in Moby Dick?” Bingo: discussion
on homoeroticism (which is really the only fun way to read
Moby Dick. And yes, I did say “whale jizz”
in class, too). Or the instructor puts you on the spot with
a pointed question: “What did you think about the subtext
in Mansfield Park?” “Well, I found the
aspects of play-acting particularly interesting.” You
aren’t sure that play-acting is really a subtext of
Mansfield Park? Heck, you “think it’s
an “interesting” way to consider the question.”
You don’t have to be prepared to split hairs on a Marxist
analysis of Hawthorne’s short stories, or have read
The Americans six times and all the supporting criticism
a couple times as well to be able to contribute actively to
discussion. Just have a couple variations of TSEGSDP ready
for class, just in case: “I found Poe’s tone in
his poems particularly interesting.” “I thought
the way James presented artists in The Tragic Muse was
very interesting.” “I think it’s interesting
the way Porter deals with gender issues in this story.”
“Gertrude Stein’s use of language is extremely
interesting.”
Comfort reading. In the meantime, make sure
there’s something totally non-academic and stupid that
you can read in the bath, or for a few minutes before you
go to bed, to recharge. This is a great way to rationalize
the Sweet
Valley High, mind…. But if you find yourself thinking
that Pascal’s use of sexist gender subtext is particularly
interesting, just put the book down. Now.
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